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Japanese manga series by Yuki Midorikawa

Hotarubi no Mori due east
Hotarubi no Mori e (manga cover).jpg

The tankōbon cover of Hotarubi no Mori due east, starting time published in Japan in 2003
蛍火の杜へ
Genre Romance, supernatural[1]
Manga
Written by Yuki Midorikawa
Published by Hakusensha
Imprint Hana to Yume Comics
Magazine LaLa DX
Demographic Shōjo
Published July 2002
Volumes ane
Manga
Hotarubi no Mori e Tokubetsuhen
Written past Yuki Midorikawa
Published by Hakusensha
Demographic Shōjo
Published September 5, 2011
Anime picture show
Directed by Takahiro Omori
Produced by
  • Shuko Yokoyama
  • Hirofumi Sugawara
  • Masanori Miyake
  • Tomomi Kyōtani
Written by Takahiro Omori
Music by Makoto Yoshimori
Studio Brain'southward Base
Released September 17, 2011
Runtime 44 minutes

Hotarubi no Mori due east (Japanese: 蛍火の杜へ, lit. "Into the Forest of Fireflies' Light") is a one-shot shōjo manga written by Yuki Midorikawa. Information technology was published in the July 2002 issue of LaLa DX in Japan, and in July 2003 it was reprinted in a tankōbon short story drove of the aforementioned name, which included iv romantic ane-shot stories written by Midorikawa. Hotarubi no Mori due east tells the story of a young girl named Hotaru and her friendship with Gin, a strange young man wearing a mask, who she meets at the age of six in a mountain forest near her grandfather'southward state home. Hotaru learns that her friend is supernatural and that touching Gin volition cause him to disappear forever. Hotaru returns every summer to spend time with Gin, and their human relationship matures as both struggle with its limitations. The inspiration to write the story came all of a sudden to Midorikawa, who immediately drew the manga—a process that went smoothly despite some initial conflicting elements. Hotarubi no Mori e is considered a starting point for Midorikawa's all-time-known work, Natsume's Book of Friends.

A 44-minute anime film with the aforementioned title was produced in 2011 at the anime studio Brain's Base and directed by Takahiro Omori. The film starred Japanese vocalization actors Ayane Sakura and Kōki Uchiyama, and its soundtrack included music by Makoto Yoshimori. The movie maintained a strong following for months in Japan later on its opening on September 17, 2011. The European premiere of Hotarubi no Mori east was on October 8, 2011 at the Scotland Loves Blitheness festival, where it won the Jury Prize. It was screened at the Leeds International Film Festival, Anime Contents Expo and Anime Expo convention, and also won the Animation Motion-picture show Award at the 66th Annual Mainichi Film Awards.

The anime was released on Blu-ray Disc (BD) and DVD in Nippon on Feb 22, 2012. An additional story related to the original manga and anime motion picture, titled Hotarubi no Mori due east Tokubetsuhen ( 蛍火の杜へ 特別編 ), was released in a keepsake edition of the manga 12 days prior to the release of the anime. Both the keepsake edition manga and the limited edition BD ranked No. thirteen on Japan's Oricon sales chart presently after their release. Sakura reported experiencing a strong emotional reaction to the story while recording the voice of Hotaru, and Midorikawa acknowledged that the story had a positive bear upon on her career. Reviewers universally praised the anime pic for its dazzler, simplicity, and tenderness, likening it to the works of Hayao Miyazaki of Studio Ghibli and Makoto Shinkai. There were few criticisms, most commonly focusing on its short length.

Plot [edit]

The original Hotarubi no Mori east shōjo manga[2] and subsequent picture show tell the story of a six-twelvemonth-old girl named Hotaru Takegawa, who gets lost in a forest inhabited by a mountain spirit, besides as yōkai (foreign apparitions from Japanese sociology). She is found by a mask-wearing, human-like entity named Gin, who informs Hotaru that he will disappear forever if he is touched by a human. Gin then leads Hotaru out of the woods. Hotaru returns to visit Gin in the woods over the next few days and they become friends despite the limitations on their interactions. Although at summer's end she must leave Gin to return to the city and her studies, Hotaru promises to render to visit him every summer holiday.

As the years go by, Gin hardly ages while Hotaru physically matures and grows closer to his apparent age. Upon reaching adolescence, Hotaru begins to struggle with their budding romance and their uncertain future together, while Gin wishes he could touch and hold the immature adult female that Hotaru has become. When Hotaru reaches high school, Gin takes her on a date to a festival in the forest hosted by the spirits. The night ends in tragedy when Gin mistakenly touches a young boy who snuck into the spirit festival, though earlier he disappears, he and Hotaru embrace and confess their honey for one some other. The story ends with Hotaru accepting her hurting and moving on with her life, though she will e'er treasure the memories of her time with Gin.[iii] [iv] [v] The 2011 anime picture show accommodation of the story[1] follows all of the events from the manga, adding simply a few additional scenes.[vi]

Hotarubi no Mori e Tokubetsu-hen ( 蛍火の杜へ 特別編 , Hotarubi no Mori e special edition ), published in 2011, expands on the original story with a short episode told from Gin's perspective.[vii] When Hotaru is a teenager, she shares some pudding with Gin before she leaves at the end of the summer. Afterwards Hotaru leaves, the yōkai effort to cheer Gin up by bringing him a couple of persimmons, 1 of the nigh prized treats on the mountain. Impressed with the gustatory modality, Gin thinks of sharing one of these persimmons with Hotaru next twelvemonth. After discussing means to preserve the persimmon with the yōkai and a spirit named Matsumino, Gin sets off to find ice on the highest mount peak, but is disappointed to detect none during the summer. When Gin returns scratched up from his fruitless search for ice, Matsumino feels sorry for him and offers to deliver the persimmon to Hotaru for him. However, not knowing where she lives, Matsumino gets lost and grows hungry. After he returns from his unsuccessful effort to observe Hotaru, Matsumino apologizes to Gin for eating the persimmon and Gin forgives him. The story concludes with Gin seeing Hotaru the following summer and wondering if he volition be able to tell her almost his feelings for her.[8]

Product [edit]

Manga [edit]

The author, Yuki Midorikawa, explained in the postscript of the Aizoban Hotarubi no Mori e reprint that the idea for the story came to her more easily than for any other work upward until that signal.[seven] Although she had been planning to write a story as challenging as Hotarubi no Mori east once she had gained more experience writing manga, she decided to undertake the projection sooner when the thought for the story all of a sudden came to her. Afraid that she might lose the idea, she promptly began to draw information technology, and Midorikawa'due south writing progressed smoothly despite having numerous conflicting ideas for the development of the story.[9]

The story came from Midorikawa's desire to draw several scenes. She was interested in drawing a scene where a boy dodges a girl who is falling towards him.[x] She also wanted to draw a shadowy summer forest,[nine] which would allow her to expand the range of tones and blacks used in the manga. A third inspiration was the desire to depict a more tranquil summer festival than those she had drawn before. She was as well eager to create the mask worn by Gin at the festival, which resembled the face up of a play a joke on whose typical slitted optics were replaced by oval ones to give the mask a "creepy" hybrid trick-primate appearance.[10]

The supernatural love story betwixt Hotaru and Gin is considered a starting point for Midorikawa'southward best known work, Natsume's Book of Friends, which besides depicts ill-fated interactions between humans and yōkai (sometimes referred to as ayakashi).[11] [12] In both stories, differences in lifespan and other insurmountable barriers mar their relationships and attempts to understand each other.[12]

Prior to the anime moving-picture show's theatrical release in 2011, Midorikawa published an additional chapter to the story, Hotarubi no Mori due east Tokubetsuhen. Since the original story was already complete and she initially felt uncomfortable about adding to information technology, she opted instead to expand on the story from Gin'southward perspective.[seven]

Anime [edit]

Cast[vi]
Voice player Function
Ayane Sakura Hotaru Takegawa
Kōki Uchiyama Gin
Shinpachi Tsuji Hotaru'due south grandfather
Izumi Sawada Hotaru'south female parent
Hayato Taya Ryōta ( 亮太 )
Kanehira Yamamoto Shadow yōkai
Masanori Machida Beech Tree Mitt yōkai
Hiroki Gotō Lion yōkai
Asami Imai Masked child (younger brother)
Mami Uchida Masked child (older sister)
Kumiko Tashiro Child at the festival

According to animation director Yumi Satou, the anime project originated with his personal wish to breathing the original manga, which he enjoyed.[13] The project was given approval in early 2011,[xiv] and according to the moving-picture show's producer, Shuko Yokoyama, the anime was originally planned as an original video animation, which would not accept been released in theaters. However, the popularity of Natsume'due south Book of Friends, which was too written by Midorikawa and adult by the same product staff, gave them the support they needed to create an anime film.[fifteen] The film was produced by the studio Brain's Base of operations and directed by Takahiro Omori, starring Japanese vocalisation actors Ayane Sakura as Hotaru and Kōki Uchiyama as Gin.[14] Satou had often worked together with Yokoyama on previous projects.[16] Other staff included Akira Takata (character design), Yukihiro Shibuya (art), Hiromi Miyawaki (color design), Hitoshi Tamura (photography), and Kazuhiko Seki (editor).[17] The anime film had a very small staff because information technology was a very brusque flick and was produced domestically, unlike the TV series, Natsume'due south Volume of Friends, which was primarily outsourced to other countries—a common trend in anime production.[xv]

In March 2011, midway through product, the 2011 Tōhoku earthquake and tsunami struck Nihon. Despite the national tragedy, the production coiffure continued its piece of work, and according to Omori, the team hoped that their work would aid soothe the nation later it had time to recover. Omori speculated that this was part of the reason for the strong positive reception and the awards the anime afterward received.[xiii]

The setting in the manga was based on a shrine in the Kumamoto Prefecture of Japan, known as Kamishikimi Kumanoimasu Shrine, which is defended to Izanagi-no-Mikoto and Izanami-no-Mikoto from Japanese mythology. The animation crew spent two hours searching the location for settings on which they could base their art. Because the story was set in the wood of a mountain god, Omori intended the art to represent a "different world" where the background scenery was obscure and the blue sky was slightly brighter than normal. Omori and his coiffure devoted extra attention to lighting and coloring, making the forest dim with light coming through the canopy and landing on the characters with the advisable intensity. The dissimilarity betwixt light and dark was likewise used during the festival scene to emphasize its bizarre nature, reminding the audition that Hotaru should not be at that place. Because of the significance of the summer season to the story, Omori deliberately loaded the film with summertime scenes, such as rustling leaves and chirring of cicadas.[18]

Co-ordinate to the Omori, the idea for the opening scene was suggested past Yokoyama; following traditional cinematography, the images of scenes indirectly related to the main story were played while the opening credits appeared. Originally intended to show Gin's life before meeting Hotaru, Omori allowed the viewer to decide its relationship in time with the main story. Omori also opted to get-go Hotaru'southward narration from a fourth dimension later on the story's main events; showing Hotaru every bit an xviii-yr-old who had just graduated high school and heading back to visit her relatives near the forest. By having Hotaru tell the story in retrospect, Omori idea it provided a more homo feel and gave more significant to the final scene, where Hotaru expresses her hopes for the futurity by saying, "Come on, let's get."[19]

One of the difficulties in adapting the manga to anime, according to Omori, was that the developing relationship between Hotaru and Gin had to be shown visually, rather than through monologue. One way in which this was done used Hotaru'south yearly change in height—by subtly showing the convergence of the length of their strides when walking, the audience is led to perceive a modify in their relationship. Omori likewise wanted to portray more depth to Hotaru'south grapheme by expanding on her school life. Although the manga depicted a cursory flash of her life in eye school, the anime depicted scenes from both aspects of her life.[18]

Omori shared a draft of the picture show with composer Makoto Yoshimori and then that he could write music to match the tempo. However, there was some disagreement over the catastrophe theme, which Omori and Yoshimori discussed at length over email. Although neither would compromise on key points, the issue was eventually settled and the catastrophe theme was finalized.[18]

Hotaru'south voice actor in the anime film, Ayane Sakura, was a fan of Midorikawa and owned the original manga. In an interview, she mentioned that she was thrilled to get an audition and ultimately the role, and also admitted that she shed tears while recording. Kōki Uchiyama, who played Gin, read the manga for the audition, and confessed that he was concerned at first almost how to portray his character, though his work made him experience good. The flick was initially pre-scored, where the vox acting was recorded prior to the cosmos of the blitheness, but later re-recorded for the final version.[20] According to Omori, this immune the animation to emphasize natural pauses in the dialogue and let the cast set the rhythm and tempo.[12]

Media [edit]

Manga [edit]

The manga was first published in the July 2002 result of Hakusensha's LaLa DX in Japan. It was kickoff reprinted on July ten, 2003 in the tankōbon entitled Hotarubi no Mori e,[21] which included four previously published romantic one-shot stories by Yuki Midorikawa. In addition to the titular brusque story, the volume included "Hanauta Nagaruru" (April 2003), "Kurukuru Ochiba" (Nov 2002), and "Hibi Fukaku" (Jan 2003).[2] As part of the 2003 tankōbon short story collection, each of the four one-shot stories were gear up in a different season: "Hanauta Nagaruru" in bound, "Hotarubi no Mori e" in summer, "Kurukuru Ochiba" in autumn, and "Hibi Fukaku" in wintertime. Inside the tankōbon, the stories were arranged in order from spring to winter, although they were originally published in a different society.[22] As of May fifteen, 2012, the tankōbon was on its 19th printing.[21]

On September five, 2011, 12 days prior to the anime movie's premiere in Nippon, a new story related to Hotarubi no Mori east was published as office of a keepsake edition of the original manga, Aizoban Hotarubi no Mori e ( 愛蔵版　蛍火の杜へ ). The 12-page story, titled "Hotarubi no Mori e Tokubetsuhen" ( 蛍火の杜へ 特別編 ), is one of four curt stories included in the keepsake edition, which as well includes the original "Hotarubi no Mori e" and ii other older works past Midorikawa: "Taion no Kakera" ( 体温のかけら ) (2003) and "Hoshi mo Mienai" ( 星も見えない ) (2005).[23]

No. Championship Release date ISBN
Hotarubi no Mori e (蛍火の杜へ) July 10, 2003 978-four-592-17890-3
  • Story one: "Hanauta Nagaruru" ( 花唄流るる , lit. "Overhearing a Flower Song)
  • Story two: "Hotarubi no Mori e" ( 蛍火の杜へ )
  • Story 3: "Kurukuru Ochiba" ( くるくる落ち葉 , lit. "The Falling of Autumn Leaves')
  • Story 4: "Hibi Fukaku" ( ひび、深く , lit. "Deepening the Scar")
Aizoban Hotarubi no Mori east (愛蔵版　蛍火の杜へ) September five, 2011 978-4-592-19840-vi
  • Story 1: Hotarubi no Mori e ( 蛍火の杜へ )
  • Story two: Taion no Kakera ( 体温のかけら )
  • Story 3: Hoshi mo Mienai ( 星も見えない )
  • Story 4: Hotarubi no Mori eastward Tokubetsuhen ( 蛍火の杜へ 特別編 )

Anime [edit]

The anime movie, Hotarubi no Mori e, is categorized as a drama/romance, with a running fourth dimension of 44 minutes. In March 2011, the anime version was to be put on display at the Anime Contents Expo in Chiba, Nippon, along with new work on Natsume's Book of Friends,[1] just the result was canceled following the 2011 Tōhoku earthquake and tsunami.[24] The opening date for the film was announced on June iv on the film's official website.[xiv] On June 18, special pre-order tickets were sold along with the express offer of a complimentary poster.[14] Around a calendar week later on, four boob tube commercials focused on the anime's main characters were streamed from the picture show's official website.[25] Sixteen days before the official release, a 96-second trailer was posted on Cinema Today, a Japanese movie website.[26]

The film opened in Japan on September 17, 2011, playing at Theater Umeda in Osaka and Ikebukuro's Cine Libre in Tokyo.[14] The European premiere of Hotarubi no Mori due east was on October viii, 2011 at the Scotland Loves Blitheness festival in Glasgow, followed by interviews and a Q/A session with the blitheness director and the producer.[15] [16] [27] It was screened again at the Scotland Loves Animation festival in Edinburgh on October 14, along with 2 other brusque films produced by Brain'south Base studio.[28] It was too a late addition to the 2011 Leeds International Movie Festival and shown as a free presentation on November xviii in Leeds Boondocks Hall.[29] [xxx] Hotarubi no Mori due east was one of 60 titles screened at the showtime Anime Contents Expo held at Makuhari Messe in Chiba in late March 2012.[31] Information technology was also shown on June xxx, 2012 at the Anime Expo convention at the Los Angeles Convention Center.[32]

Express edition copies of the Blu-ray Disc and DVD were released in Japan on February 22, 2012. The limited edition sets included carte set illustrations, stickers, a 40-page booklet, a strap with an attached mask (like Gin's), and other limited fourth dimension specials. The DVD was also released at the same time without these extras.[33]

Music [edit]

The original soundtrack (catalog number: SVWC-7783) was released on August 24, 2011, less than a month prior to the release of the anime moving picture. The music was recorded by Makoto Yoshimori, and the catastrophe theme, "Natsu o Miteita" ( 夏を見ていた , lit. "I Was Watching Summer"), was sung by Shizuru Ōtaka.[14] [34]

All tracks are written by Makoto Yoshimori.

Hotarubi no Mori e Original Soundtrack [34] [35]
No. Title Length
1. "Natsu o Miteita" ( 夏を見ていた , I Was Watching Summer) v:28
2. "Komorebi no Komichi" ( 木漏れ日の小道 ) 2:58
3. "Ojii-chan no Tenohira" ( おじいちゃんの手のひら ) 3:05
4. "Aru How-do-you-do, Mori no Naka" ( ある日、森の中 ) two:47
five. "Natsu to Machiawasete" ( 夏と待ち合わせて ) iii:44
vi. "Chokoreito" ( ちょこれいと , Chocolate) one:52
7. "Yurayura to Hirahira to" ( ゆらゆらとひらひらと ) 4:02
8. "Aki mo Fuyu mo Haru mo" ( 秋も冬も春も ) 4:26
9. "Tsuki no Ito Akaki ni" ( 月のいとあかきに ) 3:34
10. "Kanakana Shigure" ( かなかなしぐれ ) 3:48
11. "Yamagami no Mori eastward" ( 山神の森へ ) three:31
12. "Shuiro no Inori" ( 朱色の祈り ) 1:54
Full length: 41:fourteen

Reception [edit]

Year Laurels Category Result
2011 Scotland Loves Animation Jury Prize Won
Mainichi Pic Accolade Animation Pic Award Won

The keepsake edition manga, Aizoban Hotarubi no Mori eastward by Midorikawa, ranked No. 13 on Japan's Oricon comic sales chart during September v–11, 2011, with 40,641 copies sold during its first week.[36]

In Japan, the anime was considered a hit, attracting many fans at each screening in Tokyo for several months.[37] Following its European premiere at the Scotland Loves Blitheness festival in Glasgow, Hotarubi no Mori e was awarded the Jury Award.[29] [15] In January 2012, it won the Blitheness Film Award at the 66th Annual Mainichi Motion picture Awards and received at the awards ceremony held on February thirteen, 2012 in Kawasaki, Japan.[38] [39] The express edition Blu-ray Disc also ranked No. thirteen on Oricon's weekly BD sales chart between February 20–26, 2012, with 7,171 copies sold in the five days following its release.[xl]

The anime film of Hotarubi no Mori e was well received by its reviewers,[4] [37] and likened to the works of Hayao Miyazaki of Studio Ghibli[iv] and Makoto Shinkai.[37] Britain Anime Network'due south Andy Hanley, who attended a screening at the Scotland Loves Blitheness festival, said it is "beautiful in its simplicity", though noting that the climax seemed a bit rushed and sudden, leaving the audition to struggle with their emotions.[37]

This is a x-twelvemonth tale of love, and the weight of the story is on loss. Yet, what is left at the end is renewal.

Director Takahiro Omori, September 2011[18]

Nicoletta Browne of T.H.E.M. Anime Reviews described it as a "vignette of bittersweet nostalgia", praising the anime for beingness a "gorgeously detailed piece with beautiful animation." Browne also wrote favorably of the story'south progression, noting that its dark undertones grew heavier as the main character matured, and that the consequent characterization of Hotaru from babyhood to her early teens was impressive, especially given the film's length. Browne'southward criticisms were limited to noting the motion-picture show's short length, a clash betwixt the cartoonish depictions of the forest spirits and the residue of the movie, and an issue with one element of plot development near the end of the pic. She did note that sensitive viewers may interpret some aspects of the story as inappropriate, such as the initial age difference betwixt the chief characters and the style Gin punishes Hotaru as a kid when she tries to touch him. In the case of the sometime, Browne noted that their romance adult only when Hotaru began to arroyo Gin's physical age, and with the latter, she noted that no harm was intended. In both cases, she also mentioned that cultural differences must be considered.[4]

Both Yokoyama and Satou noted the "Japanese-ness" of the anime during the panel give-and-take following the primary showing at the Scotland Loves Blitheness festival. Yokoyama had originally been concerned that foreign audiences would not fully sympathise and appreciate the work, but the reaction of the audience at the Glasgow showing alleviated his concerns. According to Yokoyama and Satou, elements of the story that exhibited potent elements of Japanese civilization included the watermelon eating scene, the function where Gin hits immature Hotaru over the head with a stick, and the scene where immature Hotaru gets scared at night when she sees the face up of a yōkai in the patterns of the wood panels on the ceiling.[15]

Midorikawa attributed the success of Hotarubi no Mori e to the quality of the story, noting even those readers of the original manga who were critical of her artwork were drawn to read the story from start to terminate. She speculated that hiding Gin'due south face up behind a mask had helped mitigate some of the artistic issues for which her earlier work had been criticized. The intense pressure experienced by Midorikawa early on in her manga writing career was relieved equally a outcome of the positive feedback she received upon her success with Hotarubi no Mori e.[9] In 2011, she expressed excitement for the new anime film and having the manga reprinted in a new short story collection, remarking that her attempts to write about her feelings and recent experiences in relation to Hotarubi no Mori east brought tears to her eyes.[41] She described the story as a "precious piece of work" that helped her build social connections.[7]

References [edit]

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  37. ^ a b c d Hanley, A. (October fifteen, 2011). "Anime Review: In the Forest of the Fireflies Low-cal". Review. UK Anime Network. Archived from the original on August 31, 2012. Retrieved August 31, 2012.
  38. ^ "コンクールの歴史 第66回毎日映画コンクール" [History of the 66th Mainichi Film Contest]. Mainichi News. Archived from the original on August 31, 2012. Retrieved August 30, 2012.
  39. ^ "Hotarubi no Mori due east, 663114 Win at 66th Mainichi Picture show Awards". Anime News Network. January 17, 2012. Archived from the original on Baronial 31, 2012. Retrieved August 28, 2012.
  40. ^ "Japan's Animation Blu-ray Disc Ranking: Feb 20–26". Anime News Network. February 28, 2012. Archived from the original on August 31, 2012. Retrieved August 28, 2012.
  41. ^ Midorikawa 2011, p. 19.

Literature cited [edit]

  • Midorikawa, Y. (2003). Hotarubi no Mori due east 蛍火の杜へ [Into the Woods of Fireflies' Lite] (in Japanese). Hana to Yume Comics, Hakusensha. ISBN978-4-592-17890-3.
  • Midorikawa, Y. (2011). Aizoban Hotarubi no Mori e 愛蔵版 蛍火の杜へ [Favorite Book: Into the Woods of Fireflies' Light] (in Japanese). Hakusensha. ISBN978-iv-592-19840-6.
  • Omori, Takahiro (2011). Hotarubi no Mori e 蛍火の杜へ [Into the Forest of Fireflies' Light] (Blu-ray insert booklet) (in Japanese). Brain's Base.
  • "Hotarubi no Mori eastward". Pash! Deeep!!! (in Japanese). Shufu to Seikatsusha. five: 21–26. September 2011.

External links [edit]

  • Hotarubi no Mori east anime official website (in Japanese)
  • Hotarubi no Mori e (manga) at Anime News Network's encyclopedia
  • Hotarubi no Mori due east at IMDb

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Source: https://en.wikipedia.org/wiki/Hotarubi_no_Mori_e

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